Something to Live for

Nina Simone

About Something to Live for

"Something to Live For" is a 1939 jazz composition by Billy Strayhorn. It was the first collaboration between Strayhorn and Duke Ellington and became the first of many Strayhorn compositions to be recorded by Ellington's orchestra. The song was based on a poem Strayhorn had written as a teenager. According to an all-day tribute to Strayhorn on KCSM radio on 29 November 2008—Strayhorn's birthday—Strayhorn began working on this tune in 1933 when he was 18. The song has been recorded many times, by Ellington, Lena Horne, Ella Fitzgerald, Nina Simone, Carmen McRae, Tony Bennett, Johnny Mathis, Mel Torme and many others. Fitzgerald has called it her favorite song. 


Year:
2013
2:54
57 
#2

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I have almost ev'ry thing a human could desire,
Cars and houses, bear-skin rugs to lie before my fire
But there's something missing,
Something isn't there,
It seems I'm never kissing the one whom I care for.
I want Something To Live For
Someone to make my life an adventurous dream
Oh, what wouldn't I give for 
Someone who'd take my life 
And make it seem gay as they say it ought to be.
Why can't I have love like that brought to me?
My eye is watching the noon crowds 
Searching the promenades seeking a clue
To the one who will someday be my 
Something To Live For.
I want Something To Live For
Someone to make my life an adventurous dream
Oh, what wouln't I give for 
Someone who'd take my life 
And make it seem gay as they say it ought to be.
Why can't I have love like that brought to me?
My eye is watching the noon crowds 
Searching the promenades seeking a clue
To the one who will someday be my Something To Live For.

 Watch: New Singing Lesson Videos Can Make Anyone A Great Singer


Nina Simone

Eunice Kathleen Waymon (February 21, 1933 – April 21, 2003), better known by her stage name Nina Simone /ˈniːnə sɨˈmoʊn/, was an American singer, songwriter, pianist, arranger, and civil rights activist widely associated with jazz music. Simone aspired to become a classical pianist while working in a broad range of styles including classical, jazz, blues, folk, R&B, gospel, and pop. more »

4 fans

Written by: BILLY STRAYHORN, DUKE ELLINGTON

Lyrics © RESERVOIR MEDIA MANAGEMENT INC

Lyrics Licensed & Provided by LyricFind


8 facts about this song

Song Creation and Design
"Something to Live For" is a song that was written by Duke Ellington and Billy Strayhorn in 1939. The song was initially intended to be featured in Ellington's musical revue, "Jump for Joy."
Surrounding Artists
"Something to Live For" was first recorded by Duke Ellington's orchestra with a saxophone solo by Johnny Hodges. Over time, the song has been covered by several distinguished artists including Carmen McRae, Ella Fitzgerald, Johnny Mathis, Lena Horne, and Nina Simone.
Carmen McRae's Performance
Carmen McRae, a talented jazz singer known for her behind-the-beat phrasing, also performed "Something to Live For" with her sophisticated and smoky tones that perfectly suited the song's intense, longing theme.
Ella Fitzgerald's Interpretation
"Something to Live For" by Ella Fitzgerald was included in her album "Ella Fitzgerald Sings the Duke Ellington Songbook", an influential work that showcased her ability to interpret jazz classics with precision and vitality.
Johnny Mathis's Version
Johnny Mathis featured his own version of "Something to Live For" on his album "Open Fire, Two Guitars". His romantic and mellow performance brought a different touch to the Ellington classic.
Lena Horne's Rendition
"Something to Live For" was among Lena Horne's well-received songs. She recorded her version for her album "We'll Be Together Again". Her glamorous voice gave the song a sultry yet soulful touch.
Nina Simone's Cover
Nina Simone, a singer, songwriter, and civil rights activist, covered "Something to Live For" on her second album "The Amazing Nina Simone" released in 1959. Simone's passionate and unique style of singing contributed greatly to the song's visibility and acclaim.
Impact and Legacy
"Something to Live For" continues to be a popular choice for jazz singers even decades after its creation, underlining its timeless appeal and the universal resonance of its theme. The song is acknowledged as one of Duke Ellington and Billy Strayhorn's most outstanding compositions.

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