Jerusalem
Alphaville
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Waiting on this empty street Watching rivers' waves go by Feeling mellow, lighting a cigarette Silver moon floats through the night Eris, princess of the isles Disperse your sparkling trace Lead it on to the house of love Where the gods may turn his eyes To Jerusalem we pray It's time to meet you there Let's take love to Jerusalem, oh yeah Let me know, love In Jerusalem, let me know You might be the one I'm waiting for I think we've met somewhere for sure Chasing shadows leaves you feeling blue This situation needs a cure New assassins, new messiahs Keepers of a balanced law Strangest lovers of the fire Which ignites the halo of our souls Oh, in Jerusalem we pray It's time to meet you there Let's take love to Jerusalem, oh, yeah Let's take love To Jerusalem we pray It's time to meet you there Let's take love to Jerusalem, oh, yeah Oh Jerusalem Big yellow cadillac Carry me back home (carry me back home) On glory roads of pure delight We head out for the stars To Jerusalem we pray It's time to meet you there Let's take love to Jerusalem, oh yeah Rein our love
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2 fans
Written by: Bernard Lloyd, Ricky Echolette, Marian Gold
Lyrics © Downtown Music Publishing
Lyrics Licensed & Provided by LyricFind
24 facts about this song
Album Classification"Jerusalem" is a song from Alphaville's second studio album, "Afternoons in Utopia," which was initially released in 1986.
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Lead Vocal FactThe song, like most of Alphaville's music, was sung by the band's lead vocalist, Marian Gold, known for his powerful and emotional vocal work.
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Musical Analysis"Jerusalem" is noted for its synth-pop sound, which was highly popular in the 80s when Alphaville was most active.
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Songwriting CreditsThe song was written by the collective composing trio of Bernhard Lloyd, Frank Mertens, and Marian Gold, who comprised Alphaville.
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Noteworthy LyricsThe music and lyrics to "Jerusalem" are known for their abstract and poetic nature, which is a common trend in Alphaville's body of work.
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Album SuccessAlphaville's "Afternoons in Utopia," including the track "Jerusalem," achieved a Gold certification in Germany, emphasizing the band and song's popularity at the peak of their career.
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Band's HistoryThis album, including "Jerusalem," was part of defining the sound and image of Alphaville during the mid-80s, solidifying their place in synth-pop history.
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Song InterpretationInterpretations of the song's meaning suggest that "Jerusalem" may symbolize a state of peace and idealism, consistent with the band's name, Alphaville, taken from a dystopian movie.
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Role in Live Shows"Jerusalem" is one of Alphaville's popular songs included in their live performances, shaping the band's concert setlists.
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Song Legacy"Jerusalem," although not as well-known as Alphaville's biggest hits like "Forever Young," still holds nostalgic value for fans of 80s music and is viewed as a classic of the synth-pop era.
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Song DurationThe track "Jerusalem" stands out for its length, as it lasts for more than 6 minutes, a characteristic more common in progressive rock songs than in synth-pop songs from the 80s.
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Album ArtThe cover art of Alphaville's "Afternoons in Utopia" features a surreal landscape, reflecting the band's abstract and somber lyrical themes in songs like "Jerusalem."
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Influence on Other ArtistsAlphaville, along with their song "Jerusalem," has influenced numerous artists in the synth-pop and new wave genres, including successful bands like A-ha and Depeche Mode.
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Homage to JerusalemThrough the song, Alphaville pays homage to the city of Jerusalem, often referred to as a city of peace, in line with their utopian and idealistic lyrical themes.
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About the Tracks"Jerusalem" is a track on Alphaville's second album "Afternoons in Utopia," which was released in the year 1986.
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Band OriginAlphaville is a German synth-pop band, and its roots trace back to 1982. "Jerusalem" reflects the band's characteristic blend of electronic sounds with evocative lyrics.
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Chart PerformanceWhen it was released as a single, "Jerusalem" reached the number ten spot on the Swedish charts.
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ImpactThe song further established Alphaville's place as a powerhouse in the 80's synth-pop genre.
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MeaningThe lyrics of "Jerusalem" conjure up images of an exotic, fabled metropolis. The cryptic words challenge the listener to enter their personal interpretation.
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CollaborationThe album which includes "Jerusalem," "Afternoons in Utopia", was produced by Wolfgang Loos and Peter Walsh, both well-known figures in the music production industry.
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CreativityThe song showcases band's blending of digital instruments and drum machines to create Alphaville’s signature futuristic sound.
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AssociationThe name "Jerusalem" in the song has no geographical implications. It acts as a metaphor rather than refer to the holy city, making the interpretation of the lyrics open to listeners.
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Album ArtworkThe album artwork for "Afternoons in Utopia" was designed by Peter Ashworth, a well-known photographer and designer, who has also worked with a range of musicians including Adam Ant, Visage, and Eurythmics.
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LegacyDespite being over three decades old, "Jerusalem" and the other tracks from "Afternoons in Utopia" continue to inspire and influence contemporary synth-pop musicians.
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Citation
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"Jerusalem Lyrics." Lyrics.com. STANDS4 LLC, 2024. Web. 26 Apr. 2024. <https://www.lyrics.com/lyric/652406/Alphaville/Jerusalem>.
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