Restless Farewell

Joan Baez

About Restless Farewell

"Restless Farewell" is a song by Bob Dylan, released on his third studio album The Times They Are a-Changin' in 1964. It is based on the Scottish folk song "The Parting Glass". In 1995 Dylan performed the song live as part of the Sinatra: 80 Years My Way television special celebrating entertainer Frank Sinatra's 80th birthday. In 1968, Joan Baez covered it on her all-Dylan double album, Any Day Now. De Dannan recorded it on their 1991 release Half Set in Harlem. Robbie O'Connell performed the song as a member of Clancy, O'Connell, and Clancy on their 1997 self-titled album. On the 2012 compilation album Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International the song was covered by Mark Knopfler. 


Year:
1987
81 

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Oh, all the money in my whole life I spent
Be it mine right or wrongfully
I let it slip gladly past the hands of my friends
To tie up the time most forcefully

But the bottles are done, we've killed each one
And the tables are full and overflowed
And the corner sign says, "It's closing time"
So I'll bid farewell and be down the road

Oh, every boy that ever I've touched
I did not do it harmfully
And every boy that ever I've hurt
I did not do it knowingly

But to remain as friends, you need the time
To make amends and stay behind
And since my feet are now fast and point away from the past
I'll bid farewell and be down the line

Oh, every foe that ever I faced
The cause was there before we came
And every cause that ever I fought
I fought it full without regret or shame

But the dark does die as the curtain is drawn
And somebody's eyes must meet the dawn
And if I see the day I'll only have to stay
So I'll bid farewell in the night and be gone

Oh, a false clock tries to tick out my time
To disgrace, distract and bother me
And the dirt of gossip blows into my face
And the dust of rumors covers me

But if the arrow is straight and the point is slick
It can pierce through the dust no matter how thick
So I'll make my stand and remain as I am
And bid farewell and not give a damn

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Joan Baez

Joan Baez ( /ˈbaɪ.ɛz/) (born January 9, 1941 as Joan Chandos Báez) is an American folk singer, songwriter, musician, and a prominent activist in the fields of human rights, peace, and environmental justice. more »

12 fans

Written by: Bob Dylan

Lyrics © Universal Music Publishing Group

Lyrics Licensed & Provided by LyricFind


11 facts about this song

Song Authorship
"Restless Farewell" was not a collaborative composition between Bob Dylan and Joan Baez, but solely written and first recorded by Dylan.
Album Fact
The song was included in Bob Dylan's 1964 album "The Times They Are a-Changin'".
Inspiration Context
This song was reportedly Dylan’s response to a Newsweek article that dug into his past and gave Dylan the urge to write "Restless Farewell".
Live Performances
While Joan Baez never recorded the song on an album, she has frequently sung it at her concerts and cited it as one of her favorite Dylan songs.
Television Appearance
"Restless Farewell" was performed by Bob Dylan for the first time on television, in 1964, on Canada's CBC-TV program "Quest."
Lyrics Origin
The tune borrows heavily from the traditional folk song "The Parting Glass", an Irish tune often sung at the end of gatherings with friends and family.
Infrequency of Performance
Despite being released in 1964, Dylan did not perform Restless Farewell frequently in his concerts. As of today, he has performed it only thrice.
Presidential Tribute
On January 18, 1993, Dylan performed "Restless Farewell" at the 'Presidential Inaugural Celebration for Youth' honoring then-newly elected President Bill Clinton, It was said to be Dylan’s last ever performance of the song.
Origin of the Title
The song got its name "Restless Farewell" from the restless feeling of moving on the singer expresses in its lyrics.
Symbolic Significance
The song has been known to symbolically represent Dylan's desire to leave his past behind and his refusal to be defined by it.
Album Closing
"Restless Farewell" is the last track of Dylan’s third studio album, effectively serving as a farewell from the album, thereby living up to its name.

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