The Wicked Messenger

Bob Dylan

About The Wicked Messenger

"The Wicked Messenger" is a song written and originally performed by Bob Dylan for his album John Wesley Harding. The song was recorded in Columbia's Studio A, Nashville, on November 29, 1967.


Year:
2013
2:03
77 
#3

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There was a wicked messenger
From Eli he did come
With a mind that multiplied
The smallest matter
When questioned who had sent for him
He answered with his thumb
For his tongue it could not speak, but only flatter

He stayed behind the assembly hall
It was there he made his bed
Oftentimes he could be seen returning
Until one day he just appeared
With a note in his hand which read
The soles of my feet, I swear they're burning

Oh, the leaves began to fallin'
And the seas began to part
And the people that confronted him were many
And he was told but these few words
Which opened up his heart
If you cannot bring good news, then don't bring any

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Bob Dylan

Bob Dylan ( /ˈdɪlən/; born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, musician, author, poet and artist. He has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of Dylan's early songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'", became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan's six-minute single "Like a Rolling Stone" has been described as radically altering the parameters of popular music in … more »

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Written by: BOB DYLAN

Lyrics © BOB DYLAN MUSIC CO

Lyrics Licensed & Provided by LyricFind


12 facts about this song

Song Composition
"The Wicked Messenger" is a song by American songwriter Bob Dylan from his 1967 album "John Wesley Harding."
Album Success
The album "John Wesley Harding," where the song features, has been critically acclaimed and was a commercial success, peaking at the number 2 spot on the Billboard 200 charts.
Lyrics Interpretation
Dylan's lyrics in "The Wicked Messenger" have been the subject of extensive analysis and interpretation. Many suggest that the song reflects the artist's newfound interest in the Bible, while others argue it serves as a critique of the sixties counterculture.
Cover Versions
Notable artists have covered "The Wicked Messenger." One of the more famous renditions is by the rock band The Black Keys, who included their version as a bonus track in their 2006 album "Magic Potion."
Song Structure
"The Wicked Messenger" is structurally simple, with Dylan singing three verses to the tune of a traditional American folk song.
Interpretation by Dylan
Although Dylan rarely explores his song meanings, he mentioned that most of the songs on "John Wesley Harding," including "The Wicked Messenger," were based on parables.
Music Genres
Like many of Dylan's songs, "The Wicked Messenger" crosses several music genres, including folk, rock, and country. It showcases his ability to infuse traditional music forms with contemporary lyrics and themes.
Reception
"The Wicked Messenger" has consistently been recognized as one of Dylan's more profound and cryptic songs, earning critical acclaim for its thematic depth and Dylan's songwriting prowess.
Concert Performance
"The Wicked Messenger" has been performed live on stage by Dylan himself, demonstrating its popularity and enduring appeal.
Cultural Influence
The song, like many of Dylan's works, has influenced a number of musicians and writers, contributing to its significant cultural impact.
Featured in Films
"The Wicked Messenger" was also featured in the film "I'm Not There" - a biographical musical drama inspired by the life of Bob Dylan. Actor Cate Blanchett plays a Dylan-like character in the scene where the song plays.
Album's Minimalist Approach
The song is representative of the minimalistic and stripped-down approach Dylan took with the "John Wesley Harding" album, with a marked departure from the more elaborate and heavily arranged productions of his mid-1960s music.

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