Work with Me, Annie

Hank Ballard & the Midnighters

About Work with Me, Annie

"Work with Me, Annie" is a 12-bar blues song with words and music by Hank Ballard. It was recorded by Hank Ballard & the Midnighters (formerly The Royals) in Cincinnati on the Federal Records label on January 14, 1954, and released the following month. The Federal Communications Commission (FCC) immediately opposed it due to its overtly sexual lyrics, lyrics that had crossed over and were now being listened to by a white teenage audience. Because the record was in such demand and received so much publicity, attempts to restrict it failed and the record shot to number one on the R&B charts and remained there for seven weeks. This was the first of the "Annie" records and sold a million copies; so did the answer songs "Annie Had a Baby" and "Annie's Aunt Fannie." They all were banned for radio play by the FCC. The success of these recordings spurred the practice of recording double entendre records and answer songs. Another answer, "The Wallflower", by Etta James, popularly known as "Roll with Me, Henry", was reworded by Georgia Gibbs as "Dance with Me, Henry" for Top 40 consumption. It had the same melody as "Work with Me, Annie". The melody was recycled again by the Midnighters for the song "Henry's Got Flat Feet (Can't Dance No More)". 


Year:
2011
2:48
76 
#1

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Oooh!
Work with me, Annie
(a-um, a-um)
Work with me, Annie
Ooo-wee!
Work with me, Annie
Work with me, Annie

Work with me, Ann-ie-e
Let's get it while the gettin' is good

(So good, so good, so good, so good)

Annie, please don't cheat
Give me all my meat, ooo!
Ooo-hoo-wee
So good to me

Work with me Ann-ie-e
Now, let's get it while the gettin' is good

(So good, so good, so good, so good)

A-ooo, my-ooo
My-ooo-ooo-wee
Annie, oh how you thrill me
Make my head go round and round
And all my love come dow-ow-own
(Ooo!)

Work with me, Annie
(a-um, a-um, a-um, a-um)
Work with me, Annie
Don't be 'shamed
To work with me, Annie
Call my name
Work with me, Annie

Work with me, Ann-ie-e
Let's get it while the gettin' is good

(So good, so good, so good, so good)

So good!

Oh, our hot lips kissing 
Girl, I'll beg mercy
Oh, hugging and more teasing
Don't want no freezing

A-work with me, Ann-ie-e
Let's get it while the gettin' is good

(So good, so good, so good, so good)

Ooo-ooo-ooo
Umm-mmm
Ooo-ooo-ooo

Ooo-ooo-ooo-ooo.

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Hank Ballard & the Midnighters

Hank Ballard (born John Henry Kendricks; November 18, 1927 – March 2, 2003) was an American singer and songwriter, the lead vocalist of The Midnighters and one of the first rock and roll artists to emerge in the early 1950s. He played an integral part in the development of the genre, releasing the hit singles "Work With Me, Annie" and answer songs "Annie Had a Baby" and "Annie's Aunt Fannie" with his Midnighters. He later wrote and originally recorded (in 1959) "The Twist" which was notably covered a year later by Chubby Checker, this second version spreading the popularity of the dance. He was inducted into the Rock and Roll Hall of Fame in 1990. more »

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Written by: HANK BALLARD

Lyrics © CARLIN AMERICA INC

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Artist Background
"Work With Me, Annie" was performed by Hank Ballard & the Midnighters. Hank Ballard was a key figure in the development of rock 'n' roll and rhythm & blues, influencing many other artists with his innovative sound.
Popularity
Released in 1954, this R&B tune was a major hit, reaching number one on the Billboard R&B charts where it stayed for seven weeks.
Controversy
Due to its suggestive lyrics, "Work With Me, Annie" was banned by several radio stations. Nevertheless, the song quickly became popular among teenagers who enjoyed its risqué nature.
Impact on Music
The song helped usher in the era of rock 'n roll. It was known for its unique sound, as it blended elements of blues, gospel, and R&B, which influenced subsequent genres like soul and funk.
Cover Versions
Despite its controversy, or perhaps because of it, "Work With Me, Annie" has been covered by several artists, including Etta James and the Rolling Stones, both of whom added their own unique twists to the tune.
Sequel Songs
Hank Ballard & the Midnighters released several sequel songs after "Work With Me, Annie," including "Annie Had a Baby" and "Annie's Aunt Fannie." These songs continued to tell the story of Annie while also pushing the envelope in terms of sensual lyrical content.
Racism and Segregation
Ballard's song, though a number one hit, was attributed to 'The Royals' on many white radio stations due to the racial segregation and racism prevalent at the time.
Influence on Other Artists
James Brown, a protegee of Hank Ballard, was greatly influenced by Ballard's style and sound, including songs like "Work With Me, Annie." In turn, Brown went on to have a significant influence on popular music genres.
Recognition
In 1990, Hank Ballard was inducted into the Rock and Roll Hall of Fame, largely due to the influence of "Work With Me, Annie" and subsequent hits.
Long-lasting Impact
Even today, "Work With Me, Annie" is often cited as a foundational song in the history of rock 'n roll. Its groundbreaking melding of various musical styles continues to resonate with fans of music history.

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