Hey! Ba-Ba-Re-Bop

Lionel Hampton

About Hey! Ba-Ba-Re-Bop

"Hey! Ba-Ba-Re-Bop" is a 1946 song by Lionel Hampton and His Orchestra. The song's lead vocals were performed by Lionel Hampton himself and the recording featured Herbie Fields on alto sax. The song went to number one on the R&B Juke Box chart for sixteen non-consecutive weeks and reached number nine on the national pop charts. Although the writing of "Hey! Ba-Ba-Re-Bop" was credited to Hampton and his drummer Curley Hamner, it was essentially a partial rewriting of Helen Humes' 1945 R&B hit "Be-Baba-Leba", which in turn was closely related to "Ee-Bobaliba" by Jim Wynn.  


Year:
1996
3:19
109 
#2

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Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 

Yeah, my baby knows Matilda Brown told ole' King Tut 
Say if you can't pay me five, just keep your big mouth shut 
Shoutin' 

Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Ye-es, your baby knows Momma's on the chair, Poppa's on the cot 

Baby's on the floor blowin' his natural top 
Sayin' 
Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Mmm Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 
Hey! Ba-Ba-Re-Bop (Hey! Ba-Ba-Re-Bop) 

Ye-es, my baby knows 
Up in the mountains, mad as I can be 
Lookin' for the cat that took my baby from me 
Shoutin' 

Hey! Ba-Ba-Re-Bop Mmm 
Hey! Ba-Ba-Re-Bop 
Hey! Ba-Ba-Re-Bop 

Ye-e-es,. my baby knows 
Now you've heard this song from start to end 
Now take the title once again 
Baby, Hey! Ba-Ba-Re-Bop

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Lionel Hampton

Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, bandleader and actor. Along with Red Norvo, Hampton was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy Rich to Charlie Parker and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame. more »

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Written by: CURLEY HAMNER, LIONEL HAMPTON

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Spirit Music Group

Lyrics Licensed & Provided by LyricFind


15 facts about this song

Musical Composition
"Hey! Ba-Ba-Re-Bop" is a bebop style song, showcasing Lionel Hampton's innovative approach to music.
Chart Success
The song reached number one on the Billboard magazine's Race Records chart in 1946.
Popularity
"Hey! Ba-Ba-Re-Bop" is considered one of Hampton's signature performances. The song's catchy lyrics and upbeat rhythm made it a big success.
Recording Label
It was released through "Decca Records", a prominent American recording label known to support jazz artists.
Duel Popularity
The song is well-loved not only in jazz circles but was popular with general audiences, demonstrating the wide appeal of Hampton's music.
Musical Style
The song is characterized by strong rhythmic patterns typical of the bebop genre and is augmented with dynamic horn sections.
Original Composition
"Hey! Ba-Ba-Re-Bop" was originally composed by Lionel Hampton and Curley Hammer.
Collaboration
The song features other notable jazz musicians such as Arnett Cobb on tenor saxophone and Milt Buckner on piano.
Song Durations
The original recording lasts for a whopping three minutes and 24 seconds.
Global Impact
"Hey! Ba-Ba-Re-Bop" propelled Lionel Hampton to worldwide fame, solidifying his position as a global jazz icon.
Historical References
The song is often used in films and TV series set in the 1940s, recreating the sound and mood of that era.
Artistic Impact
The song influenced later generations of jazz artists, testament to Hampton's enduring legacy in the world of music.
Cover Versions
Various artists have covered "Hey! Ba-Ba-Re-Bop", reflecting its sustained popularity and significant influence.
Cultural Significance
The song's popularity during the 1940s mirrors the rise of African-American music into the cultural mainstream.
Awards and Honours
While it received no specific awards, the song's success contributed to Lionel Hampton's later induction into the Alabama Jazz Hall of Fame.

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