Baby (You've Got What It

Dinah Washington

About Baby (You've Got What It

"Baby (You've Got What It Takes)" is a 1950's song written by Clyde Otis and Murray Stein. Originally titled "You've Got What It Takes", the song was first recorded by Brook Benton's sister, Dorothy Pay, in 1958, as the B-side of her single "Strollin' with My Baby" on Mercury 71277. In January 1960, Brook Benton partnered with Dinah Washington to record the song as "BABY, You've Got What It Takes". Their version was hugely successful on both the pop and R&B charts, reaching #5 on the Billboard Hot 100 and #1 on the Hot R&B sides chart for ten weeks, becoming one of the most successful R&B singles of the 1960s. The song was also featured on their 1960 duet album, The Two of Us. 


Year:
1998

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Well, now, it takes more than a robin to make the winter go
And it takes two lips of fire to melt away the snow
But, it takes two hearts a-cookin' to make a fire grow
And baby you've got what it takes

You know it takes a lot of kissin' (Tell me about it)
to make a romance sweet 
Ooh, it takes a lot of lovin' to make my life complete
Mmm, and it takes a lot of woman to knock me off my feet
and baby, you've got what it takes.

I said, mm, mm, mm. uh-huh, mm, mm, mm
Ah, ah, hah mm, mm
You know you've got just what it takes!

Because it takes more than an effort to stay away from you
It'd take more than a lifetime to prove that I'll be true
But it takes somebody special to make me say, "I do."
"Oh, yeah"
And baby, you've got what it takes.

Ah, ah, hah mm, mm, uh-huh, mm, mm, mm
Mmm
You know you've got just what it takes

Because it takes oh yeah
"You're back in my spot again, honey"
"I like your spot"
To stay away from you
"I can't stay away from you"
It takes more than a lifetime, daddy, to prove that I'll be true
"NOW it's you"
But, it takes somebody special 
"Like me, baby"
to make me say, "I do."
And baby you've got what it takes

"C'mon, let's play it again, huh?"
"C'mon, let's do it one more time, all right?"
And baby you've got what it takes
"One more time, Brook"
"Ah-ha, OK, Ah-ha"
And baby you've got what it takes

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Dinah Washington

Dinah Washington, born Ruth Lee Jones (August 29, 1924 – December 14, 1963), was an American Pianist, Blues, R&B, Gospel, Pop and Jazz singer. She has been cited as "the most popular black female recording artist of the '50s", and called "The Queen of the Blues". She is a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993. more »

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Written by: Clyde Otis, Murray Stein

Lyrics © Universal Music Publishing Group

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Release Date
"Baby (You've Got What It Takes)" by Dinah Washington was released in 1960.
Duets and Collaboration
This song was not a solo performance by Dinah Washington, but a duet with the American R&B singer Brook Benton.
Charts Success
The song quickly became a major hit, reaching number 1 on Billboard's R&B Sides chart. Over on the pop chart, it made it to number 5.
Record Label
"Baby (You've Got What It Takes)" was released under Mercury Records, an American record label that was established in Chicago in 1945.
Grammy Hall of Fame
This song was inducted into the Grammy Hall of Fame in 1998, a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."
Sales Record
The single reportedly sold more than one million copies globally and it was awarded a gold disc by the RIAA.
Songwriters
"Baby (You've Got What It Takes)" was written by Clyde Otis, Murray Stein and Brook Benton, making it one of Benton's earliest successful arrangements.
Style
The song is a well-known example of rhythm and blues music from the early 1960s, a genre where Dinah Washington and Brook Benton both excelled.
Cover Versions
Since its release, the song has been covered by numerous other artists, including Van Morrison, Michael Buble and Sharon Jones & The Dap-Kings, demonstrating its enduring appeal.
Lasting Legacy
The song remains one of Dinah Washington and Brook Benton's most famous collaborations and it has proved influential in shaping the sound of R&B music.

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