Dream Police

Cheap Trick

About Dream Police

"Dream Police" is a song written by Rick Nielsen and originally released in 1979 by the American rock band Cheap Trick. It is the first track on the group's album of the same name. The single peaked at #26 on the Billboard Hot 100. Nielsen has stated that the song "is an attempt to take a heavy thought - a quick bit of REM snatched right before waking up - and put into a pop format." He also stated that "the song was about Big Brother watching you." Cheap Trick biographers Mike Hayes and Ken Sharp describe the song as "a magnificent tour-de-force, characterized by an addictively infectious chorus and jarring bursts of dissonance. Ultimate Classic Rock critic Dave Swanson similarly stated that "From the in-your-face power chord riff to Tom Petersson's surging bass lines, it is a tour de force. Swanson also points out that the strings play a similar role on "Dream Police" as the synthesizer did on Cheap Trick's earlier song "Surrender" and the Who's "Baba O'Riley."Tom Maginnis of AllMusic described the song as "a tongue in cheek Orwellian nightmare" and that it represents "late-seventies power pop at its zenith." Maginnis also noted that "Dream Police" follows up on its B-side, "Heaven Tonight" (which had been released on a previous album), in that both songs represent dreams. Dave Marsh of Rolling Stone described the song as a "trash thriller like John Carpenter's Halloween," and also noted that it is "nearly as good as the earlier ones in which Cheap Trick used similar stylistic devices."In the 2007 book "Shake Some Action: The Ultimate Power Pop Guide", a section on Cheap Trick featured reviews on the top 20 stand-out tracks from the band. One track included was "Dream Police", where the author John M. Borack wrote "Entire careers have been built around lesser songs than this monster, which sits proudly alongside "Surrender" as the quintessential Cheap Trick song. Everything about it is perfect, from Zander's alternately cute and menacing vocal to Carlos's pounding drums to Nielsen's cracked spoken-word interlude. Oh, can't forget the instrumental build up heading back into the final chorus, which is pure genius." 


Year:
1992
21 Views

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