After Suck There's Blow

Gaye Bykers On Acid

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Gaye Bykers On Acid

Gaye Bykers On Acid were formed in 1984 in Leicester (U.K.) by Ian ‘Mary’ Hoxley (vocals) and Ian ‘Robber’ Reynolds (bass), joined by Tony Horsfall (guitar) and Kevin Hyde (drums) and later by DJ Ronnie Rocket. They were regarded as a part of the ‘grebo’ movement whose bands distinguished themselves by their ragged and greasy looks. Musically, most grebo bands tended to mix different rock styles with samples and loops. G.B.O.A. started out with a messy mixture of punk and psych rock on “Everythang’s Groovy” and brought in some dance grooves on their second release for the In Tape label, the “Nosedive EP”. Their strident band image and stage shows led to Virgin signing the Bykers with a large advance, partly spent by the band on a film accompanying their debut album “Drill Your Own Hole” (1987). The sound of the album upped the chaos and noise levels as well as the electronic share of the content. Up to that point, most critics of the band complained about the lack of memorable tunage. The band corrected that flaw with their second album for Virgin, “Stewed To The Gills…” (1989), going back to the basics of punk and dropping most electronics with the exception of occasional samples. The album received little promotion and soon after its release Virgin ended the partnership. G.B.O.A. set up their own label, Naked Brain, and went for a harder, metal-influenced sound. Their third LP was the concept album “Cancer Planet Mission” (1990), inspired by author Ludwig K. Pullman. Simultaneously, they also developped their electronic tendencies, though they always retained their punk ethic, as captured by the band’s fourth album “Pernicious Nonsense” (1990). Soon after its release and a third U.S. tour the band split, and all members engaged in new projects. Gaye Bykers On Acid used various pseudonyms: They pretended to be a thrash metal band from East Germany calling themselves ‘Rektum’ (releasing the album “Sakredanus”); they sometimes used the tag ‘PFX (Purple Fluid Exchange)’ alongside their band name, mostly for their dance-oriented releases (the 12” “SPACE” being solely credited to PFX); and they created ‘Lesbian Dopeheads On Mopeds’ as a support act to G.B.O.A. to cash in twice per gig.


Year:
1986
24 Views
#1

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Lick me baby I've come unstuck
Here's the corporation garbage truck
It's like a killer vacuum cleaner
I never seen more obscener
Don't let her pull me up don't let her pull me up
I suck suck suck
I suck suck suck
I suck suck suck
I suck suck suuuuuck!

Suck

C'mon put a smile back on my face
My headstart in this rat filled race
It's all embracing all consuming
Don't let her pull me up don't let her pull me up
Don't let her pull me up don't let her pull me up
I suck
I suck
I suck
I suck
Suck in seed suck in sess
Suck in seed oh what a mess

Who's the infidel, a sinner cries?
It's not us more corporation lies
A giant killer vacuum cleaner
All consuming consumes me
A Klingon, it's pulling me up
A Klingon, it's pulling me up
I suck suck suck
I suck suck suck
I suck suck suck
I suuuuuck!

Somewhere between my head and my toes
Along the line something thing explodes
Oden states after suck there's blow
Along the line something thing explodes
Oden states after suck there's blow
Along the line something thing explodes
Somewhere between my head and my toes
Along the line something thing explodes

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Genre:
 

Written by: Gaye Bykers On Acid

Submitted by Sjaturaphut on October 26, 2020

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