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Infinisynth

The main electric project of artist KarrArikh Tor, Infinisynth began in 1992, in the aftermath of Future Dialogue’s first line-up disbanding. In 1993, KarrArikh hooked up with Alex MacHein (on drums and rhythm/programming), releasing ‘Subnormal Episodes Vol. 1’ in 1993 on cassette. The following years saw tremendous growth for the band. Local radio airplay and audience numbers at live shows in North America continued to increase. Ennui Entertainment Presents (MATA 14/47 in Milwaukee, WI) requested material from the band to accompany their video series, and Infinisynth responded by finding two new back-up artists to help flesh out the sound, Kat and Kasey Tyr. The new line-up began to record their material completely live, a bold move resulting in unique audio recordings. The 95 minute Norse Epic ‘Germania Saga’ written by KarrArikh Tor was the ultimate pinnacle of this line-up’s use of MIDI programming and outboard sequencers. A move to goth-rock on the 1996 limited run international release CD ‘Shadow and Shade’ created quite a stir; critics throughout Europe recognised the hints of Bauhaus, The Cure, and Sisters of Mercy. Goth radio programmes raved about the release and requested more from the band. The pressure of supporting the release combined with a home base move lost KarrArikh and Alex their back-up artists, Kat and Kasey Tyr. This didn’t stop Infinisynth; their hard work paid off in continued college/independent radio airplay, club airplay, and a live radio/internet simulcast in 1998. With the new millennium came a new recording style for Infinisynth; the band was finally persuaded to use multitrack recordings on ADAT. Now with Kain leFayne joining on bass, Infinisynth created the hauntingly beautiful ‘What Remains in the Machine… ‘. Unfortunately for the band and Infinisynth fans everywhere, the year 2000 brought so many changes to Dark World that ‘What Remains in the Machine…’ received little to no attention. After establishing a new home in Ireland, Infinisynth was persuaded to remaster some of their classic songs from the past onto two releases, ‘default’ and ‘reload’. These releases offer both new and long time fans a unique opportunity to own some Infinisynth recordings never available before on CD. Remastered tracks from the video series Ennui Entertainment Presents, ‘Shadow and Shade’, and the little noticed but brilliant ‘What Remains in the Machine… ‘ are included. Although ...(cutoff)


Year:
1996
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I stare into the sky, waiting for a clue,
listening for an answer, looking for a sign
so empty, so empty
I stare into my soul, grasping for a reason,
reciting a silent prayer, pondering who I am
so empty, so empty

Welcome to the dawn, but the sky is red
Tears of blood touch the ground
Welcome to the dawn, but the sky is black
Where has all the life gone

I stare into the black, oblivious of any love,
the darkness of my toments, the forever pain
I stare into time, the abstract lie,
never finding a beginning, knowing there's no end
so empty, so empty

Welcome to the dawn, but the sky is red
Tears of blood touch the ground
Welcome to the dawn, but the sky is black
Where has all the life gone

No one can see it, it's not in plain view,
I've kept it inside all of my life
There must be something out there
to ease the pain locked inside for so long

I stare down at my flesh, meaningless in my eyes,
lies and illusions intertwined, neither dead nor alive

Welcome to the dawn, but the sky is red
Tears of blood touch the ground
Welcome to the dawn, but the sky is black
Where has all the life gone
Welcome to the dawn, welcome to the dawn
Welcome to the dawn, welcome to the dawn

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Written by: KarrArikh Tor

Submitted on: December 06, 2018

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"Empty Lyrics." Lyrics.com. STANDS4 LLC, 2018. Web. 11 Dec. 2018. <https://www.lyrics.com/sublyric/54833/Empty>.

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