I Like Em Like That

Sherry Lynn - A Beautiful Life

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Sherry Lynn - A Beautiful Life

For Sherry Lynn, Beautiful Life is more than her sophomore album; it’s her view of the world. The title cut, a duet with Grammy-winning superstar Crystal Gayle, backs it up: Life is short, so jump in with both feet, chase your dreams, hold fast and relish the ride. That’s exactly what Sherry has been doing since she transitioned from the Karaoke stage to opening in 2006 for Sammy Kershaw at Pitman, New Jersey’s historic Broadway Theatre. Fast-forward two years, when Sherry was invited back to the Broadway to open for Crystal Gayle, one of Sherry’s musical heroes. The concert turned out to be a pivotal moment in Sherry’s career. “I’ve opened for a lot of artists, and when you’re the opening act, most of them don’t even come out of their dressing rooms until you’re finished”, Sherry says. “Crystal was one of the few who actually sat there in the green room and watched my performance. After the show, she sat with me, my mom and my grandma for over an hour, talking like we were friends for years.” It was one of those freeze-frame moments for Sherry. As a child, she’d set her career compass to singing the same day she watched Loretta Lynn’s biopic Coal Miner’s Daughter. And now there she was, hanging out with Loretta’s sister. In 2010, a chance meeting in Nashville with Crystal and her husband, Bill Gatzimos, took Sherry’s relationship with Crystal to another level. When Crystal heard about Sherry’s new album---there are no secrets on Music Row---she offered to lend her vocals to Beautiful Life, a song co-penned by award-winning tunesmith Danny Wells, best known for George Strait’s Check Yes Or No and Rascal Flatts’ These Days. Sherry and Crystal joined voices at Crystal’s studio, Audio 51, with producer Ted Hewitt, the studio wizard behind Rodney Atkins’ string of Number One hits. Crystal’s son Chris Gatzimos engineered the session. It’s mindboggling to think Sherry almost turned down the opportunity, but she did. “I had been working on this new CD for two


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He’s got a dent in his bumper and his windshields cracked
Old leather seat with a rip in the back logos peelin on a worn out dash
Baby I like em like that
He’s got a whole in his boot and a tear in his jeans
Runs on empty lives on dreams stubborn as they come and he drives too fast
Baby I like em like that

Rough around the edges sweet around the heart
Tough in the daylight tender in the dark
Rebel in his spirit angel in his eyes
Once you kiss him once you gotta kiss him twice
It’s a dangerous plan but there’s something bout a man good at being bad
And baby I like em like that

He’s got a grin full of sin that will make you burn
Walks in a room and every head turns
The kind of man you can’t help staring at…baby I like em like that
Girls all stare but he don’t see their all wishing that they were me
Cause I’m the only one he’s looking at…baby I like em like that

Rough around the edges sweet around the heart
Tough in the daylight tender in the dark
Rebel in his spirit angel in his eyes
Once you kiss him once you gotta kiss him twice
It’s a dangerous plan but there’s something bout a man…. good at being bad
baby I like em like that
Rough around the edges sweet around the heart
Tough in the daylight tender in the dark
Rebel in spirit angel in his eyes
Once you kiss him once you gotta kiss him twice
It’s a dangerous plan but there’s something bout a man good at being bad
And baby I like em like that
Like em like that
got a dent in his bumper and his windshields cracked
Mmm like em like that

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Written by: Edward Monroe Hill / Karyn Rochelle

Submitted on September 08, 2013

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