Father to a Sister of Thought

Pavement

About Father to a Sister of Thought

"Father to a Sister of Thought" is a song written by Stephen Malkmus of Pavement that appears on the band's third album, Wowee Zowee. On June 20, 1995, the song was released as the second single from the album in 7" vinyl and CD-single formats; the track list is the same for both versions. Both B-sides are included amongst the bonus tracks on 2006's deluxe Sordid Sentinels Edition reissue of Wowee Zowee. "Father to a Sister of Thought" is unique in that it is about as close to alt-country or jangly-guitar rock that Pavement ever got, due to its use of pedal steel guitar and mixolydian mode. For most of the song, the harmony is limited to four chords, but it ends with a blues-style riff. The music video for "Father to a Sister of Thought" features the band playing together in front of a western-themed props painted by Steve Keene, which were also used by the band on tour during the period. 


Year:
1995
3:30
85 
#1

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Rotten device, I'll say it twice
I'm too much, I'm too much comforted here
Costs too much too much, we'll leave you
Everywhere eyes, nowhere to die

No place to shove your sharpened heel
I'm looking looking for a tired face
In case you wanted to go
I know, I'm breathing in to the end

Calling the bluffs, talking so tough
Goodbye to the ugly steeple fear
Good times for ever after
I'm just a man 

You see who I am
I'm binding my hooks
And open the books
Dirty black hearts

Angel of Corpus Christi
You're so mystic, 
Tell me what I want to hear

I know I'm reeling in
I know I'm reeling in

To the end
To the end
To the end
To the end

I know I'll never know 
I know I'll never know

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Pavement

Pavement was an American indie rock band that formed in Stockton, California in 1989. The group mainly consisted of Stephen Malkmus (vocals and guitar), Scott Kannberg (guitar and vocals), Mark Ibold (bass), Steve West (drums) and Bob Nastanovich (percussion and vocals). Initially conceived as a recording project, the band at first avoided press or live performances, while attracting considerable underground attention with their early releases. Gradually evolving into a more polished band, Pavement recorded five full length albums and nine EPs over the course of their decade-long career, though they disbanded with some acrimony in 1999 as the members moved on to other projects. In 2010, they undertook a well-received reunion tour. more »

2 fans

Written by: STEPHEN MALKMUS

Lyrics © WORDS & MUSIC A DIV OF BIG DEAL MUSIC LLC

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Album Association
"Father to a Sister of Thought" is a song by American indie rock band Pavement from their third studio album, "Wowee Zowee."
Production Details
The album, including this song, was recorded and produced by Bryce Goggin alongside Pavement at Easley & Random Falls in 1994.
Release Date
Released on April 11, 1995, "Father to a Sister of Thought" is the album's seventh track.
Genre Classification
Like most of Pavement's music, "Father to a Sister of Thought" incorporates an eclectic mix of indie rock, post-punk, alternative rock, and lo-fi styles.
Critical Reception
"Wowee Zowee" received quite polarized reviews upon its release due to its unpredictable and unconventional song structures, including tracks like "Father to a Sister of Thought".
Unique Instrumentation
It's one of the few Pavement songs that features a pedal steel guitar, offering a touch of country vibe that distinguishes it from other tracks on the album.
Band Member Contribution
Band member Bob Nastanovich contributed the shaker and screams to this song, adding more complex layers to the sound.
Song Composition
The song, like many in Pavement's catalogue, is known for its abstract lyrics and catchy, if sporadic, melodies.
Songwriter
The song, like most of Pavement's catalogue, was primarily written by Stephan Malkmus, who is also the band's lead vocalist.
Sound Evolution
"Father to a Sister of Thought" marks a departure from Pavement's previous sound. Unlike their straight indie rock songs, this song incorporates textural elements and varied rhythms, presenting an experimental approach to songwriting.

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