Statesboro Blues

About Statesboro Blues

"Statesboro Blues" is a Piedmont blues song written by Blind Willie McTell, who recorded it in 1928. The title refers to the town of Statesboro, Georgia. In 1968, Taj Mahal recorded a popular blues rock adaptation of the song with a prominent slide guitar part by Jesse Ed Davis. His rendition inspired a recording by the Allman Brothers Band, which is ranked number nine on Rolling Stone magazine's list of the "100 Greatest Guitar Songs of All Time". In 2005, the Atlanta Journal-Constitution ranked "Statesboro Blues" number 57 on its list of "100 Songs of the South".  more »

Year:

1991

2:34

99 Views

Playlists:

#2

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Yes now, wake up mama, turn your lamp down low.
Wake up mama, turn your lamp down low.
Have you got the nerve to drive poor papa Taj from your door?

Woke up this mornin' baby, I had them Statesboro blues.
Statesboro Georgia, that is.
Woke up this mornin, had them Statesboro blues.
Looked over in the corner, well my baby had 'em too.

Mama died and left me reckless, Papa died and left me wild,
I ain't good lookin baby, but I'm someone's sweet angel child.
Going to the country, baby do you want to go?
I know if you can't make it, your sister Lucille say she wanta go.

You know I loved that woman better than any woman I'd ever seen.
Yes I loved that woman better than any woman I'd ever seen.
She treat me like a king, I treat her like she was a doggone Queen.

Wake up mama, turn your lamp down low.
Wake up mama, turn your lamp down low.
Have you got the nerve to drive papa Taj from your door?

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Blind Willie McTell

Blind Willie McTell (born William Samuel McTier May 5, 1898 – August 19, 1959), was a Piedmont and ragtime blues singer and guitarist. He played with a fluid, syncopated fingerstyle guitar technique, common among many exponents of Piedmont blues, although, unlike his contemporaries, he came to exclusively use twelve-string guitars. McTell was also an adept slide guitarist, unusual among ragtime bluesmen. His vocal style, a smooth and often laid-back tenor, differed greatly from many of the harsher voice types employed by Delta bluesmen, such as Charlie Patton. McTell embodied a variety of musical styles, including blues, ragtime, religious music, and hokum. more »

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