Misery

About Misery

"Misery and Gin" is a song written by Snuff Garrett and John Durrill, and recorded by American country music artist Merle Haggard. It was written specifically for inclusion in the 1980 movie, Bronco Billy, and released as a single in June 1980. It was co-released both on the Bronco Billy soundtrack album and Haggard's studio album, Back to the Barrooms. "Misery and Gin" reached number 3 on the Billboard Hot Country Singles & Tracks chart and peaked at number 4 on the Canadian RPM Country Tracks.  more »

Year:

2007

1 View

Playlists:

#2

 Become A Better Singer In Only 30 Days, With Easy Video Lessons!

Memories and drinks don't mix too well.
Jukebox records don't play those wedding bells.
Lookin' at the world through the bottom of a glass,
All I see is a man who's fading fast.
Tonight I need that woman again.
What I'd give for my baby to just walk in.
Sit down beside me and say: It's alright.
Take me home and make sweet love to me tonight.

But here I am again, mixin' misery and gin.
Sittin' with all my friends and talkin' to myself.
I look like I'm havin' a good time but any fool can tell,
That this Honky Tonk Heaven really makes ya' feel like hell.

I light a lonely woman's cigarette,
We both start talkin' 'bout what we want to forget.
Her life story and mine are the same.
We both lost someone and only have ourselves to blame.

But here I am again, mixin' misery and gin.
Sittin' with all my friends and talkin' to myself.
I look like I'm havin' a good time but any fool can tell,
That this Honky Tonk Heaven really makes ya' feel like hell.

 Struggling with Misery? Become a better singer in 30 days with these videos!

Merle Haggard

Merle Ronald Haggard (born April 6, 1937) is an American country music song writer, singer, guitarist, fiddler and instrumentalist. Along with Buck Owens, Haggard and his band The Strangers helped create the Bakersfield sound, which is characterized by the unique twang of Fender Telecaster and the unique mix with the traditional country steel guitar sound, new vocal harmony styles in which the words are minimal, and a rough edge not heard on the more polished Nashville Sound recordings of the same era. more »

Follow 10 fans