N.Y. State of Mind

Nas

About N.Y. State of Mind

"N. Y. State of Mind" is a song by hip hop recording artist Nas, taken from his debut studio album Illmatic (1994). The song's production was handled by DJ Premier who sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd. Premier additionally scratched up vocal samples from Eric B. & Rakim's "Mahogany" for the song's hook. Nas raps two verses on the song in which he talks about his rapping talent and describes the dangerous environment that is the city of New York over a drum break sample of "N. T." by Kool & the Gang. Nas has attributed the song "Streets of New York" by Kool G Rap as one of the song's primary influences (Kool G Rap would later sample this song, plus give Nas a guest spot on his album 4,5,6). A sequel to "N. Y. State of Mind" can be found on Nas' 1999 album I Am.... 


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Yeah, yeah
Ayo, Black, it's time
Word, word, it's time, man
It's time, man 
Aight, man, begin
Yeah, straight out the fuckin' dungeons of rap
Where fake niggas don't make it back
I don't know how to start this shit, yo, now

Rappers I monkey flip 'em with the funky rhythm I be kickin'
Musician, inflictin' composition, of pain
I'm like Scarface sniffin' cocaine
Holdin' a M16, see with the pen I'm extreme
Now, bullet holes left in my peepholes
I'm suited up in street clothes
Hand me a nine and I'll defeat foes
Y'all know my steelo with or without the airplay
I keep some E&J, sittin' bent up in the stairway
Or either on the corner bettin' Grants with the cee-lo champs
Laughin' at base-heads, tryna sell some broken amps
G-packs get off quick, forever niggas talk shit
Reminiscin' about the last time the task force flipped
Niggas be runnin' through the block shootin'
Time to start the revolution, catch a body head for Houston
Once they caught us off guard, the MAC-10 was in the grass, and
I ran like a cheetah, with thoughts of an assassin
Picked the MAC up, told brothers, "Back up," the MAC spit
Lead was hittin' niggas, one ran, I made him back flip
Heard a few chicks scream, my arm shook, couldn't look
Gave another squeeze, heard it click, "Yo, my shit is stuck"
Try to cock it, it wouldn't shoot, now I'm in danger
Finally pulled it back, and saw three bullets caught up in the chamber
So, now I'm jettin' to the buildin' lobby
And it was full with children, probably couldn't see as high as I be
(So what you sayin'?) It's like the game ain't the same
Got younger niggas pullin' the triggers bringin' fame to they name
And claim some corners, crews without guns are goners
In broad daylight, stickup kids, they run up on us
.45's and gauges, MAC's in fact
Same niggas'll catch a back to back, snatchin' your cracks in black
There was a snitch on the block gettin' niggas knocked
So hold your stash 'til the coke price drop
I know this crackhead, who said she gotta smoke nice rock
And if it's good, she'll bring ya customers and measuring pots, but yo
You gotta slide on a vacation
Inside information keeps large niggas erasin' and they wives basin'
It drops deep as it does in my breath
I never sleep, 'cause sleep is the cousin of death
Beyond the walls of intelligence, life is defined
I think of crime, when I'm in a New York state of mind

New York state of mind
New York state of mind
New York state of mind
New York state of mind

Be havin' dreams that I'm a gangsta, drinkin' Moëts, holdin' TEC's
Makin' sure the cash came correct, then I stepped
Investments in stocks, sewin' up the blocks to sell rocks
Winnin' gunfights with mega cops
But just a nigga, walkin' with his finger on the trigger
Make enough figures until my pockets get bigger
I ain't the type of brother made for you to start testin'
Give me a Smith & Wesson, I'll have niggas undressin'
Thinkin' of cash flow, Buddha and shelter
Whenever frustrated, I'ma hijack Delta
In the PJ's, my blend tape plays, bullets are strays
Young bitches is grazed, each block is like a maze
Full of black rats trapped, plus the Island is packed
From what I hear in all the stories when my peoples come back, black
I'm livin' where the nights is jet black
The fiends fight to get crack, I just max, I dream I can sit back
And lamp like Capone, with drug scripts sewn
Or the legal luxury life, rings flooded with stones, homes
I got so many rhymes I don't think I'm too sane
Life is parallel to Hell but I must maintain
And be prosperous, though we live dangerous
Cops could just arrest me, blamin' us, we're held like hostages
It's only right that I was born to use mics
And the stuff that I write, is even tougher than dykes
I'm takin' rappers to a new plateau, through rap slow
My rhymin' is a vitamin, Hell without a capsule
The smooth criminal on beat breaks
Never put me in your box if your shit eats tapes
The city never sleeps, full of villians and creeps
That's where I learned to do my hustle had to scuffle with freaks
I'ma addict for sneakers, twenties of Buddha and bitches with beepers
In the streets I can greet ya, about blunts I teach ya
Inhale deep like the words of my breath
I never sleep, 'cause sleep is the cousin of death
I lay puzzled as I backtrack to earlier times
Nothing's equivalent, to the New York state of mind

New York state of mind
New York state of mind
New York state of mind
New York state of mind

Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas
Nasty Nas

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Nas

Nasir bin Olu Dara Jones ( /nɑːˈsɪər/; born September 14, 1973), better known mononymously as Nas ( /ˈnɑːz/), is an American rapper and actor. He is also the son of jazz musician Olu Dara. Nas has released eight consecutive platinum and multi-platinum albums since 1994, four of which topped the Billboard charts upon release and has sold over thirteen-million records in the United States alone. Nas was also part of the hip hop supergroup The Firm, which released one album under Dr. Dre's record label Aftermath. Aside from rapping, Nas is also an occasional actor and has appeared in feature films such as Hype Williams' directorial debut Belly, Ticker and In Too Deep and the television show Hawaii Five-0. more »

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Written by: Eric Barrier, William Griffin, Nasir Jones, Christopher E. Martin

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Song Creation
"N.Y. State of Mind" is the second track on Nas’ debut album "Illmatic", released in 1994. It is considered one of the greatest hip-hop songs ever.
Collaborations
The song was produced by legendary producer DJ Premier. DJ Premier sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd for the track's instrumental.
Initial Recording
It is said that Nas freestyled the entirety of "N.Y. State of Mind" in one take. DJ Premier didn't even know that Nas was ready to start recording when he began rapping.
Lyrics Inspiration
The song’s lyrics describe Nas’s lifestyle in the dangerous Queensbridge Houses of New York City. It demonstrates Nas's complex rhyming scheme and vivid storytelling abilities.
Critical Acclaim
The track has drawn significant praise from critics, many of whom consider it a classic East Coast hip-hop track. It is often cited as one of the greatest hip-hop songs of all time.
Cultural Influence
"N.Y. State of Mind" has remained an influential song in the hip-hop industry, continually praised for its raw storytelling, incredible lyricism, and embodiment of hip-hop in the 90s era.
Misconception
Despite its title, the song does not refer to New York’s state of mind in a broad sense, but specifically Nas's own perspective, experiences, and feelings towards his life in the infamous Queensbridge Projects.
Sequels
Due to its massive success, Nas proceeded to release two sequels known as "N.Y. State of Mind Pt. II" on his 1999 album "I Am..." and "N.Y. State of Mind Pt. III" on his 2021 album "King's Disease II".
Pop Culture Reference
"N.Y. State of Mind" has often been referenced in popular culture, in movies, TV shows, and by other musicians, as a representative piece of 90s hip-hop culture.
Song's Legacy
More than 25 years after its release, the song continues to be revered in the hip-hop community. It's seen as an emblematic song displaying the harsh realities of life in the inner-city and therefore symbolizes the disheartening truth many young African Americans face in those conditions.

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