9 to 5

Sheena Easton

About 9 to 5

"9 to 5" (or "Morning Train") is the title of a popular song written by British songwriter Florrie Palmer and recorded by Sheena Easton in 1980, becoming her biggest hit. It peaked at number three in the United Kingdom in August 1980 and was certified gold. It was released in the United States and Canada under the title "Morning Train (9 to 5)" to avoid confusion with Dolly Parton's recent hit "9 to 5") in February 1981. It reached number one in both countries, becoming Easton's only chart-topper in those nations. Easton had released one single prior to "9 to 5": "Modern Girl". This had failed to chart highly, but after exposure on the BBC documentary, The Big Time, Pop Singer, both "9 to 5" and "Modern Girl" were propelled into the top ten at the same time, making her the second female artist (after Ruby Murray) to achieve this feat. "9 to 5" became a top three hit and was one of the best-selling singles of the year. Early in 1981, EMI Records decided to launch Easton in the US and released "9 to 5" as her debut single. The title of the song was changed to "Morning Train (Nine to Five)" to avoid confusion with the Dolly Parton song of the same name, which charted nearly simultaneously with Easton's record. Easton's song went to #1 on both the U. S. pop and adult contemporary charts; it remained at the top for two weeks on Billboard's pop chart. On Billboard's 1981 year-end charts, it came in as the twelfth-biggest pop and thirteenth-biggest AC hit of the year 1981. It also topped the RPM magazine pop and AC charts in Canada, reigning over the former for two weeks in May 1981, while also reaching the summit in New Zealand, before being replaced by Joy Division's "Love Will Tear Us Apart". 


Year:
1981
3:20
134 

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Tumble outta bed and I stumble to the kitchen
Pour myself a cup of ambition
Yawn and stretch and try to come to alive
Jump in the shower and the blood starts pumpin'
Out on the street the traffic starts jumpin'
With folks like me on the job from 9 to 5

Workin' 9 to 5, what a way to make a livin'
Barely gettin' by, it's all takin' and no givin'
They just use your mind and they never give you credit
It's enough to drive you crazy if you let it
9 to 5, for service and devotion
You would think that I would deserve a fat promotion
Want to move ahead but the boss won't seem to let me
I swear sometimes that man is out to get me!

They let you dream just to watch 'em shatter
You're just a step on the boss-man's ladder
But you got dreams he'll never take away
You're in the same boat with a lotta your friends
Waitin' for the day your ship'll come in
an' the tide's gonna turn and it's all gonna roll your way

Workin' 9 to 5, what a way to make a livin'
Barely gettin' by, it's all takin' and no givin'
They just use your mind and you never get the credit
It's enough to drive you crazy if you let it
9 to 5, yeah they got you where they want you
There's a better life, and you dream about it, don't you?
It's a rich man's game no matter what they call it
And you spend your life puttin' money in his wallet

9 to 5, whoa what a way to make a livin'
Barely gettin' by, it's all takin' and no givin'
They just use your mind and they never give you credit
It's enough to drive you crazy if you let it

9 to 5, yeah they got you where they want you
There's a better life, and you dream about it, don't you?
It's a rich man's game no matter what they call it
And you spend your life puttin' money in his wallet

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Sheena Easton

Sheena Easton (born Sheena Shirley Orr; 27 April 1959) is a Scottish recording artist. Easton became famous for being the focus of an episode in the British television programme The Big Time, which recorded her attempts to gain a record contract and her eventual signing with EMI Records. Easton is a two-time Grammy Award winner and achieved 6 Gold albums and 1 Platinum and has sold over 4 million albums in the US alone, and 20 million records worldwide. She has recorded 16 studio albums, released 45 singles, and has 15 Top 40 hits on the US Billboard Hot 100. Sheena Easton is the only artist in the history of the US Billboard charts to have a top 3 hit on each of the Billboards key charts: Adult Contemporary, Dance, Pop, Country, and R&B. In the UK Sheena… more »

4 fans

Written by: Dolly Parton

Lyrics © Sony/ATV Music Publishing LLC

Lyrics Licensed & Provided by LyricFind


12 facts about this song

Chart Success
"9 to 5" reached number three on the UK Singles Chart and topped the US Billboard Hot 100, making Sheena Easton the third UK female solo artist to achieve this feat.
Change in Title
In the United States, the song was retitled as "Morning Train (Nine to Five)" to avoid confusion with Dolly Parton's song "9 to 5", which was also popular around the same time.
Grammy Win
"9 to 5" earned Easton the 1981 Grammy for Best New Artist.
Song Theme
The song describes a woman waiting for her man to come home from work and highlights the routine of a working-class couple.
Movie Featuring
The song is included in the soundtrack of the 1981 film "Take This Job and Shove It".
Songwriter
"9 to 5" was written by Florrie Palmer, a British songwriter who also wrote hits for other artists such as Elaine Paige and Janis Ian.
Platinum Certification
The album "Take My Time," which features the track "9 to 5," has been certified Platinum by the British Phonographic Industry.
Lyrics Misunderstanding
Some listeners misinterpreted the lyrics, thinking the song was about a prostitute due to the line "my baby takes the morning train," but in fact, it describes a conventional work schedule.
Gold Certification
In the United States, the song received a Gold certification in 1981 from the Recording Industry Association of America for selling over one million units.
International Success
The song has remained popular worldwide over the years, particularly in Japan where it reached the number two spot on the Oricon Singles Chart.
Cover Version
"Morning Train (Nine to Five)" was covered by the Japanese duo Wink, adding to the song's popularity in Japan.
Variety of Genre
The song "9 to 5," is often categorized as a pop song. However, it notably features elements of country and adult contemporary, showcasing Easton's strong and distinct vocals.

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