One Bourbon, One Scotch, One Beer

John Lee Hooker

About One Bourbon, One Scotch, One Beer

"One Bourbon, One Scotch, One Beer" (or "One Scotch, One Bourbon, One Beer") is a blues song written by Rudy Toombs and recorded by Amos Milburn in 1953. It is one of several drinking songs recorded by Milburn in the early 1950s that placed in the top ten of the Billboard R&B chart. Other artists released popular recordings of the song, including John Lee Hooker in 1966 and George Thorogood in 1977.


Year:
1997
3:04
24 

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One bourbon, one scotch, and one beer
One bourbon, one scotch, and one beer
Hey mister bartender, come here
I want another drink and I want it now

My baby, she gone, she been gone two night
I ain't seen my baby since night before last
One bourbon, one scotch, and one beer

And then I sit there
Gettin' high
Mellow
Knocked out
Feeling good
And by the time
I look on the wall
At the old clock on the wall
By that time
It was ten thirty daddy
I looked down the bar
At the bartender
He said
"So what do you want, Johnny?"

One bourbon, one scotch, and one beer
Well, my baby she gone, she been gone two night
I ain't seen my baby since night before last
I want to get drunk till I'm off of my mind
One bourbon, one scotch, and one beer

And I sit there
Gettin' high
Stoned
Knocked out
And by the time
I looked on the wall
At the old clock again
And by that time
'T was a quarter to two
Last call
For alcohol
I said "hey, mister bartender!"
"Well what do you want?"

One bourbon, one scotch, and one beer
One bourbon, one scotch, and one beer
One bourbon, one scotch

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John Lee Hooker

John Lee Hooker (August 22, 1917 – June 21, 2001) was a highly influential American blues singer-songwriter and guitarist. more »

5 fans

Written by: JOHN LEE HOOKER

Lyrics © BMG Rights Management, Sony/ATV Music Publishing LLC

Lyrics Licensed & Provided by LyricFind


15 facts about this song

Origin
"One Bourbon, One Scotch, One Beer" is not an original song of George Thorogood. It's actually a medley of two songs originally written by Rudy Toombs and John Lee Hooker.
Influence
The first part of the medley is a version of John Lee Hooker's 1966 song "House Rent Boogie" which explains the story featured in the following "One Bourbon, One Scotch, One Beer".
Thorogood’s Version
George Thorogood’s version contains several changes from the original song. It departs by repeating some of the melody notes in the guitar part and by using a standard blues progression, eliminating the second eight bars of the “B" section, among other changes.
Released Date
George Thorogood's medley version was first released in 1977.
Chart Position
Thorogood's rendition of the song went on to become a major hit and has since become one of his signature tunes. It reached number 77 on Billboard charts in June 1985.
Duration
Thorogood's version of "One Bourbon, One Scotch, One Beer" is much longer than the original — it lasts over eight minutes, making it a blues epic.
Gearing Up for Success
Thorogood’s version helped establish his early success, resulting in him being an opener for the Rolling Stones and gaining a contract with a major record label.
Soundtrack Contribution
The song has featured in various forms of media. For example, it appears in the soundtrack of the video game “The Lost and Damned”.
Album Success
The single was part of Thorogood’s major label debut with ‘Maverick’, an album that went certified Gold in the United States.
Influence on Other Musicians
The song's catchy lyrics and classic blues-rock sound have inspired many other musicians to cover the song in their own style, making it an influential piece in the genre.
Performances
Due to its popularity, "One Bourbon, One Scotch, One Beer" became a staple of George Thorogood's live performances.
IPCA Commercial
The song was used in a 1984 commercial for the International Primate Protection League.
Demonstration of Skills
The song serves as a showcase for Thorogood’s slide guitar skills.
Universal Struggle Theme
The song's narrative of a man struggling to pay his rent and drowning his sorrow in alcohol has a universal appeal, which contributes to its ongoing popularity.
Rooted to Blues
Both the original and Thorogood’s versions of the song exemplify the storytelling aspect common in blues music.

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