Jezebel
Frankie Laine
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Jezebel, Jezebel If ever the devil was born without a pair of horns It was you, Jezebel, it was you If ever an angel fell, Jezebel, it was you Jezebel, it was you If ever a pair of eyes promised paradise Deceiving me, grieving me, leaving me blue Jezebel, it was you If ever the devil's plan was made to torment man It was you, Jezebel, it was you Could be better had I never known a lover such as you Forsaking dreams and all for the siren call of your arms Like a demon, love possessed me, you obsessed me constantly What evil star is mine, that my fate's design should be Jezebel? If ever a pair of eyes promised paradise Deceiving me, grieving me, leaving me blue Jezebel, it was you If ever the devil's plan was made to torment man It was you, Jezebel, it was you, night and day, every way Jezebel, Jezebel, Jezebel!
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Written by: Wayne Shanklin
Lyrics © Warner Chappell Music, Inc.
Lyrics Licensed & Provided by LyricFind
19 facts about this song
Song Origin"Jezebel" is a popular song that was written by Wayne Shanklin in 1951. It has been covered by many artists, but the most popular version was sung by Frankie Laine with the orchestra of Mitch Miller.
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Song ThemeThe melodramatic song tells the story of a woman named Jezebel who has betrayed the song's protagonist.
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Chart PerformanceThe single by Frankie Laine and Mitch Miller was a big hit. It reached number 2 in the UK Singles Chart in May 1951 and also achieved a high ranking on the Billboard chart in the US.
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Song PresentationThe original recording of the song is characterized by a dramatic, operatic vocal performance. This performance is accompanied by a full orchestra and punctuated by the use of the aforementioned bullwhip sound effect.
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Awards and AccoladesFor his rendition of "Jezebel," Frankie Laine was awarded the first-ever gold disc for a song in 1951. This was due to it selling over one million copies in the United States alone.
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LegacyYears later, the song "Jezebel" not only bestows a sense of nostalgia but also continues to be employed in many films, TV shows, and advertisements due to its unique composition.
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Famous CoversSeveral other artists have performed their renditions of this song throughout the years, including Edith Piaf, Herman's Hermits, and The Four Seasons.
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Frankie Laine's Signature SongDespite his vast catalog of music, "Jezebel" is often considered Frankie Laine's signature song due to its immense popularity at the time of its release.
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Relationship of ProtagonistsMitch Miller, who conducted the orchestra for this song, was also a close friend of Frankie Laine. Their long-term professional relationship resulted in many hit songs, with "Jezebel" being one of the most recognized worldwide.
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Historical BackgroundReleased in September 1951, "Jezebel" is a popular song sung by Frankie Laine under the direction of Mitch Miller.
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Chart Performance"Jezebel" was a big hit on both sides of the Atlantic, reaching No. 2 on the Billboard charts and No. 1 on the UK Singles Chart.
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Song's ContextThe song is a ballad which tells the tale of a covetous, self-destructive woman.
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Artist CollaborationThis song is a collaborative effort between Frankie Laine, a successful singer, and Mitch Miller, a leading record producer at the time.
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Endurance"Jezebel" has endured in popularity, having been covered by numerous artists since its original release.
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StyleThe musical style of "Jezebel" is typical of the dramatic, big-voiced balladry popular in the early 1950s.
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Notable CoversAmong the notable covers, versions by Edith Piaf and Herman's Hermits stand out.
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Role in Career"Jezebel" is often considered one of Frankie Laine's signature songs, contributing significantly to his career as one of the most popular vocalists of the 1950s.
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SongwritingThe song was written by Wayne Shanklin and has a running time of approximately 3 minutes and 14 seconds.
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Recognition"Jejebel" was ranked amongst the 30 best-selling records in the US for 1951.
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Citation
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"Jezebel Lyrics." Lyrics.com. STANDS4 LLC, 2024. Web. 9 Nov. 2024. <https://www.lyrics.com/lyric/15667758/Frankie+Laine/Jezebel>.
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