Me and the Devil Blues

About Me and the Devil Blues

"Me and the Devil Blues" is a blues song by Robert Johnson. It tells the story of the singer's waking up one morning to the devil knocking on the door, telling him that "it's time to go". The lyrics concluded with the lines "You may bury my body down by the highway side" / "So my old evil spirit can catch a Greyhound bus and ride." Johnson recorded the song, among others, in a warehouse in Dallas, that served as a makeshift recording studio, on June 19, 1937. It was his final recording session. The song has become a blues standard and been covered, among others, by Peter Green Splinter Group, Cowboy Junkies, Eric Clapton, Soap&Skin, Widespread Panic, TS McPhee, Gil Scott-Heron, Black Stone Cherry and The Doors. more »

Year:

2004

2:31

26 Views

Playlists:

#1

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Early this morning
When you knocked upon my door
Early this morning, ooh
When you knocked upon my door
And I said "hello Satan
I believe it's time to go"

Me and the Devil
Was walkin' side-by-side
Me and the Devil, ooh
Was walking side-by-side
I'm going to beat my woman
Until I get satisfied

She said "you don't see why
That I will dog her 'round"
Now baby you know you ain't doin' me right, now
She say "you don't see why, hoo
That I would dog her 'round"
It must-a been that old evil spirit
So deep down in the ground
You may bury my body
Down by the highway side

Baby, I don't care where you bury my body when I'm dead and gone
You may bury my body, hoo
Down by the highway side
So my old evil spirit
Can get a Greyhound bus and ride

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Robert Johnson

Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues singer and musician. His landmark recordings from 1936–37 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Johnson's shadowy, poorly documented life and death at age 27 have given rise to much legend, including the Faustian myth that he sold his soul at a crossroads to achieve success. As an itinerant performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. more »

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