Everyday

About Everyday

"Everyday" is a song by Orchestral Manoeuvres in the Dark and the third and last single from their 1993 album Liberator. Co-founder Paul Humphreys, who had left the band four years prior, is credited as a co-writer. "Everyday" was the only single from Liberator to miss the UK Top 25, charting at number 59. OMD frontman Andy McCluskey later remarked, "Sadly it wasn't one of our better songs."The accompanying music video features Sara Cox, who would later be known as a BBC Radio DJ.  more »

Year:

1993

3:57

39 Views

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Everyday
I'm on my knees to pray
Since I kissed you once
And I held you once
Things have never been the same

And I've tried
God knows I've tried
But there's nothing left
In the world today
That's making sense in any way

Even now, I'm in love with you
No matter what you put me through
There'll always be someone like you 
Who lets me down again

But every time
I've tried to make you mine
It seems there's nothing else
I will ever find
That will make you stay
Make you change your mind
Sad to say
It's the same thing everyday
But there's no one else
In the world today
That will make it change
Take the pain away

Even now, I'm in love with you
No matter what you put me through
There'll always be someone like you 
Who lets me down again

And everyday no matter what I do
I'm more and more in love with you
I can't believe it's really true
You wouldn't really go

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Orchestral Manoeuvres in the Dark

Orchestral Manoeuvres in the Dark (OMD) are a British New Wave group formed in 1978, whose founding members, Andy McCluskey (vocals, bass guitar) and Paul Humphreys (keyboards, vocals), are originally from the Wirral Peninsula, England. The band rose to fame with their fourth single "Enola Gay", which became a major hit throughout Europe in 1980, and achieved worldwide popularity the following year with their third album Architecture & Morality. Regarded as the band's seminal work, it spawned three international hit singles and propelled them to superstar status in their home country. OMD, whose music frequently eschewed traditional pop music arrangements in favour of experimentation, were retrospectively described by AllMusic's Ned Raggett as having been… more »

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