Black and Blue

Louis Armstrong

About Black and Blue

"(What Did I Do to Be So) Black and Blue" is a 1929 jazz standard composed by Fats Waller with lyrics by Harry Brooks and Andy Razaf. It was introduced in the Broadway musical Hot Chocolates (1929) by Edith Wilson. The show also included Waller's hit compositions "Ain't Misbehavin'" and "Honeysuckle Rose". Louis Armstrong later performed and recorded the song several times. His rendition of it is distinct from that of Edith Wilson due to his omission of a lot of the context of the song. Blues singer Ethel Waters's 1930 version of the song became a hit, and the song has been recorded by many artists since then. Frankie Laine's 1946 version was featured in the 2011 video game L. A. Noire, as part of the in-game radio station, K. T. I. Radio. The song is also featured in the prologue of Ralph Ellison's novel Invisible Man (1952) as its protagonist, while hiding underground, listens to the song being played very loudly and descends into a dream regarding "the blackness of Blackness," all after smoking a marijuana cigarette. 


Year:
1996
44 
#1

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Cold empty bed, springs hard as lead
Pains in my head, feel like old Ned
What did I do to be so black and blue?
 
No joys for me, no company
Even the mouse ran from my house
All my life through I've been so black and blue
 
I'm white inside, but that don't help my case
Cause I can't hide what is on my face
I'm so forlorn. Life's just a thorn
My heart is torn. Why was I born?
What did I do to be so black and blue?
 
I'm hurt inside, but that don't help my case
Cause I can't hide what is on my face
How will it end? Ain't got a friend
My only sin is in my skin
What did I do to be so black and blue?
Tell me, what did I do?
What did I do?  What did I do?
What did I do?  What did I do?
What did I do?  What did I do?
What did I do? Tell me, what did I do to be so black and blue?
What did I do to be so black and blue?

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Louis Armstrong

Louis Armstrong (August 4, 1901 – July 6, 1971), nicknamed Satchmo or Pops, was an American jazz trumpeter and singer from New Orleans, Louisiana. more »

15 fans

Written by: Harry Brooks, Andy Razaf, Fats Waller

Lyrics © DistroKid, BMG Rights Management, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.

Lyrics Licensed & Provided by LyricFind


13 facts about this song

Release Date
"Black and Blue" was initially recorded by Ethel Waters on May 8, 1929, and later recorded by Louis Armstrong on December 4, 1929.
Composition
The song was composed by Fats Waller and Harry Brooks with lyrics written by Andy Razaf.
Jazz Influence
It is widely considered one of the seminal offerings of early American Jazz.
Social Commentary
The song's lyrics openly addresses racism and the color divide that was prevalent in the United States during that time.
Notable Performances
Waters' and Armstrong's renditions of the song are highly regarded, with Armstrong's version being inducted into the Grammy Hall of Fame in 2002.
Album Versions
Louis Armstrong's version of the song is included in the album "Louis Armstrong and His Sebastian New Cotton Club Orchestra" which was released in 1929.
Incorporation in Broadway Musical
The song was used in the 1929 musical revue "Hot Chocolates."
Racial Significance
Both Waters' and Armstrong's interpretations became anthems of the Civil Rights Movement, due to the powerful message nestled within the lyrics.
Timeless Influence
The song has been covered by several other artists over the years, across various music genres, evidencing its timeless appeal and influence.
Historical Context
The recording of "Black and Blue" at the peak of the Harlem Renaissance in 1929 reflected a broad engagement with race issues among Black American performers and audiences alike.
Legacy
Ethel Waters' delivery of the song was pivotal in her career, establishing her as a serious actor and vocal technician, beyond just a blues singer.
Recognition
Armstrong's influential take on "Black and Blue" was admitted into the Grammy Hall of Fame in 2002.
Music Style
The song is a perfect merge of classic blues scales with a New Orleans jazz style swing rhythm, a style attributable to both Armstrong and Waters.

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