Both Sides the Tweed

Capercaillie

About Both Sides the Tweed

"Both sides the Tweed" is a song about the Treaty of Union between Scotland and England. Dick Gaughan made minor changes to the words and added his own tune. The song was written in 1979 and first appeared on Gaughan's 1981 album Handful of Earth. Though Gaughan's recording was embraced by music critics at the time, the song achieved wide popularity only later when it was recorded by the Scottish group Capercaillie on their album Sidewaulk. Gaughan wrote the song in response to the result of the first Scottish Parliament referendum in 1979, which had the controversial ruling whereby a simple majority was not enough to win a devolved parliament for Scotland. Instead it required that 40% of the entire Scottish electorate, not just those who voted, had to vote yes. A non-vote was therefore effectively a "no" vote. In the referendum 52% of those who voted voted yes, but as this only amounted to 33% of the electorate, the scheme could not be realised."Both sides the Tweed" speaks of the corruption involved in the negotiations leading up to the Act of Union of 1707, which linked Scotland and England on terms that nationalists believe did much damage to Scottish culture. The tone of the song, however, is conciliatory and may be read as a reaction against the anti-Englishness of some Scottish nationalistic songs. The title refers to the River Tweed, which marks part of the border between Scotland and England. The song has been mentioned as a candidate in discussions about a possible new Scottish national anthem. The song was covered by Mary Black and can be found on her albums Collected (1984) and the compilation Song for Ireland (1998). 


Year:
1997
5:01
92 

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What's the spring breathing jasmine and rose
What's the summer with all its gay train
What's the splendor of autumn to those
Who've bartered their freedom for gain. 
Let the love of our land's sacred rights
To the love of our people succeed
Let friendship and honour unite
And flourish on both sides of the Tweed. 
No sweetness the senses can cheer
Which corruption and bribery bind
No brightness the sun can e'er clear
For honour's the sum of the mind. 
Let virtue distinguish the brave
Place riches in lowest degree
Think them poorest who can be a slave
Them richest who dare to be free

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Capercaillie

Capercaillie is a Scottish folk band, founded in the 1980s by Donald Shaw and fronted by Karen Matheson. They have seen four of their albums placed in the UK Albums Chart, and continue to perform and record to the present day. more »

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Written by: DICK GAUGHAN

Lyrics © CONCORD MUSIC GROUP, INC

Lyrics Licensed & Provided by LyricFind


8 facts about this song

Origin
"Both Sides the Tweed" is an old Scottish traditional folk song. The version performed by Capercaillie, a Celtic band, is one of the most recognized versions today.
Band composition
Capercaillie is a Scottish folk band formed in the 1980s. The band is known for reviving traditional Gaelic music and modernizing it with a mix of rock elements.
Lyrics
The song lyrics talk about the significance of respect and understanding in political situations, especially as it relates to Scotland's historic relationship with England. It discusses peace between the two nations 'both sides the Tweed,' which is a river that forms part of the border between England and Scotland.
Credits
Dougie MacLean, a renowned Scottish singer-songwriter, is often credited with writing new verses to the traditional song.
Language
While Capercaillie is known for their songs in Scottish Gaelic, "Both Sides the Tweed" is an English language song.
Use in Political Context
The song, despite its age, is often invoked in the modern context of Scottish independence due to its themes of peace, mutual respect, and national sovereignty.
Notable Performances
Capercaillie performed "Both Sides the Tweed" at the 'Folk im Schlosshof' (FiS) in Bonfeld, Germany in 2011.
Artists' Interpretation
The band's interpretation of the song holds true to its folk roots, but they infuse it with their unique touch, combining traditional Celtic instruments with contemporary music elements.

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