N.Y. State of Mind

DJ Skribble, Nas

About N.Y. State of Mind

"N. Y. State of Mind" is a song by hip hop recording artist Nas, taken from his debut studio album Illmatic (1994). The song's production was handled by DJ Premier who sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd. Premier additionally scratched up vocal samples from Eric B. & Rakim's "Mahogany" for the song's hook. Nas raps two verses on the song in which he talks about his rapping talent and describes the dangerous environment that is the city of New York over a drum break sample of "N. T." by Kool & the Gang. Nas has attributed the song "Streets of New York" by Kool G Rap as one of the song's primary influences (Kool G Rap would later sample this song, plus give Nas a guest spot on his album 4,5,6). A sequel to "N. Y. State of Mind" can be found on Nas' 1999 album I Am.... 


Year:
1999
5:02
308 
#1

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Intro: Nas

Yeah yeah, aiyyo black it's time (word?)
(Word, it's time n****?)
Yeah, it's time man (aight n****, begin)
Yeah, straight out the f***in dungeons of rap
Where fake n****z don't make it back
I don't know how to start this s***, yo, now

Verse One: Nas

Rappers I monkey flip em with the funky rhythm I be kickin
Musician, inflictin composition
of pain I'm like Scarface sniffin cocaine
Holdin a M-16, see with the pen I'm extreme, now
Bulletholes left in my peepholes
I'm suited up in street clothes
Hand me a nine and I'll defeat foes
why'all know my steelo with or without the airplay
I keep some E&J, sittin bent up in the stairway
Or either on the corner bettin Grants with the celo champs
Laughin at baseheads, tryin to sell some broken amps
G-Packs get off quick, forever n****z talk s***
Remeniscing about the last time the Task Force flipped
N****z be runnin through the block shootin
Time to start the revolution, catch a body head for Houston
Once they caught us off guard, the Mac-10 was in the gra** and
I ran like a cheetah with thoughts of an a**a**in
Pick the Mac up, told brothers, "Back up," the Mac spit
Lead was hittin n****z one ran, I made him backflip
Heard a few chicks scream my arm shook, couldn't look
Gave another squeeze heard it click yo, my s*** is stuck
Try to c*** it, it wouldn't shoot now I'm in danger
Finally pulled it back and saw three bullets caught up in the chamber
So now I'm jetting to the building lobby
and it was filled with children probably couldn't see as high as I be
(So whatchu sayin?) It's like the game ain't the same
Got younger n****z pullin the triggers bringing fame to they name
and claim some corners, crews without guns are goners
In broad daylight, stickup kids, they run up on us
Fo'-fives and gauges, Macs in fact
Same n****z'll catch a back to back, snatchin yo' cracks in black
There was a snitch on the block gettin n****z knocked
So hold your stash until the coke price drop
I know this crackhead, who said she gotta smoke nice rock
And if it's good she'll bring ya customers in measuring pots, but yo
You gotta slide on a vacation
Inside information keeps large n****z erasin and they wives basin
It drops deep as it does in my breath
I never sleep, cause sleep is the cousin of death
Beyond the walls of intelligence, life is defined
I think of crime when I'm in a New York state of mind

("New York state of mine" --> Rakim *repeat 4X*)

Verse Two: Nas

Be havin dreams that I'ma gangster -- drinkin Moets, holdin Tecs
Makin sure the cash came correct then I stepped
Investments in stocks, sewein up the blocks
to sell rocks, winnin gunfights with mega cops
But just a n****, walking with his finger on the trigger
Make enough figures until my pockets get bigger
I ain't the type of brother made for you to start testin
Give me a Smith and Wessun I'll have n****z undressin
Thinkin of cash flow, buddah and shelter
Whenever frustrated I'ma hijack Delta
In the P.J.'s, my blend tape plays, bullets are strays
Young b****es is grazed each block is like a maze
full of black rats trapped, plus the Island is packed
From what I hear in all the stories when my peoples come back, black
I'm livin where the nights is jet black
The fiends fight to get crack I just max, I dream I can sit back
and lamp like Capone, with drug scripts sewn
Or the legal luxury life, rings flooded with stones, homes
I got so many rhymes I don't think I'm too sane
Life is parallel to Hell but I must maintain
and be prosperous, though we live dangerous
cops could just arrest me, blamin us, we're held like hostages
It's only right that I was born to use mics
and the stuff that I write, is even tougher than dice
I'm takin rappers to a new plateau, through rap slow
My rhymin is a vitamin, Hell without a capsule
The smooth criminal on beat breaks
Never put me in your box if your s*** eats tapes
The city never sleeps, full of villians and creeps
That's where I learned to do my hustle had to scuffle with freaks
I'ma addict for sneakers, twenties of buddah and b****es with beepers
In the streets I can greet ya, about blunts I teach ya

Inhale deep like the words of my breath
I never sleep, cause sleep is the cousin of death
I lay puzzle as I backtrack to earlier times
Nothing's equivalent, to the new york state of mind

("New York state of mind" --> Rakim *repeat 4X*)
("Nasty Nas" --> cut and scratched 8X)

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Nas

Nasir bin Olu Dara Jones ( /nɑːˈsɪər/; born September 14, 1973), better known mononymously as Nas ( /ˈnɑːz/), is an American rapper and actor. He is also the son of jazz musician Olu Dara. Nas has released eight consecutive platinum and multi-platinum albums since 1994, four of which topped the Billboard charts upon release and has sold over thirteen-million records in the United States alone. Nas was also part of the hip hop supergroup The Firm, which released one album under Dr. Dre's record label Aftermath. Aside from rapping, Nas is also an occasional actor and has appeared in feature films such as Hype Williams' directorial debut Belly, Ticker and In Too Deep and the television show Hawaii Five-0. more »

4 fans

Written by: Eric Barrier, William Griffin, Nasir Jones, Christopher E. Martin

Lyrics © Universal Music Publishing Group, Sony/ATV Music Publishing LLC, Kobalt Music Publishing Ltd.

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Song Creation
"N.Y. State of Mind" is the second track on Nas’ debut album "Illmatic", released in 1994. It is considered one of the greatest hip-hop songs ever.
Collaborations
The song was produced by legendary producer DJ Premier. DJ Premier sampled two jazz songs: "Mind Rain" by Joe Chambers and "Flight Time" by Donald Byrd for the track's instrumental.
Initial Recording
It is said that Nas freestyled the entirety of "N.Y. State of Mind" in one take. DJ Premier didn't even know that Nas was ready to start recording when he began rapping.
Lyrics Inspiration
The song’s lyrics describe Nas’s lifestyle in the dangerous Queensbridge Houses of New York City. It demonstrates Nas's complex rhyming scheme and vivid storytelling abilities.
Critical Acclaim
The track has drawn significant praise from critics, many of whom consider it a classic East Coast hip-hop track. It is often cited as one of the greatest hip-hop songs of all time.
Cultural Influence
"N.Y. State of Mind" has remained an influential song in the hip-hop industry, continually praised for its raw storytelling, incredible lyricism, and embodiment of hip-hop in the 90s era.
Misconception
Despite its title, the song does not refer to New York’s state of mind in a broad sense, but specifically Nas's own perspective, experiences, and feelings towards his life in the infamous Queensbridge Projects.
Sequels
Due to its massive success, Nas proceeded to release two sequels known as "N.Y. State of Mind Pt. II" on his 1999 album "I Am..." and "N.Y. State of Mind Pt. III" on his 2021 album "King's Disease II".
Pop Culture Reference
"N.Y. State of Mind" has often been referenced in popular culture, in movies, TV shows, and by other musicians, as a representative piece of 90s hip-hop culture.
Song's Legacy
More than 25 years after its release, the song continues to be revered in the hip-hop community. It's seen as an emblematic song displaying the harsh realities of life in the inner-city and therefore symbolizes the disheartening truth many young African Americans face in those conditions.

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