Queen Jane Approximately

Bob Dylan

About Queen Jane Approximately

"Queen Jane Approximately" is a song from Bob Dylan's 1965 album Highway 61 Revisited. It was released as a single as the B-side to "One of Us Must Know (Sooner or Later)" in January 1966. It has also been covered by several artists, including The Grateful Dead and The Four Seasons.


Year:
1965
5:31
104 

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When your mother sends back all your invitations
And your father, to your sister he explains
That you're tired of yourself and all of your creations
Won't you come see me, Queen Jane
Won't you come see me, Queen Jane

Now, when all of the flower ladies what back what they have lent you
And the smell of their roses does not remain
And all of your children start to resent you
Won't you come see me, Queen Jane
Won't you come see me, Queen Jane

Now, when all the clowns that you have commissioned
Have died in battle or in vain
And you're sick of all this repetition
Won't you come see me, Queen Jane
Won't you come see me, Queen Jane

When all of your advisers heave their plastic
At your feet to convince you of your pain
Trying to prove that your conclusions should be more drastic
Won't you come see me, Queen Jane
Won't you come see me, Queen Jane

Now, when all of the bandits that you turn your other cheek to
All lay down their bandannas and complain
And you want somebody you don't have to speak to
Won't you come see me, Queen Jane
Ah won't you come see me, Queen Jane

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Bob Dylan

Bob Dylan ( /ˈdɪlən/; born Robert Allen Zimmerman; May 24, 1941) is an American singer-songwriter, musician, author, poet and artist. He has been an influential figure in popular music and culture for more than five decades. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of Dylan's early songs, such as "Blowin' in the Wind" and "The Times They Are a-Changin'", became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan's six-minute single "Like a Rolling Stone" has been described as radically altering the parameters of popular music in … more »

33 fans

Written by: BOB DYLAN

Lyrics © Universal Music Publishing Group

Lyrics Licensed & Provided by LyricFind


10 facts about this song

Song Creation
"Queen Jane Approximately" is a song written and performed by Bob Dylan. It was released in 1965. Dylan recorded the song on August 2, 1965, and it was produced by Tom Wilson.
Album Inclusion
The song is the third track on Dylan's album "Highway 61 Revisited."
Song Interpretations
The song's subject, "Queen Jane," is commonly speculated by fans and critics to be a composite of several individuals, including Joan Baez and Jane Ormsby Gore, a British socialite who Dylan had reportedly spent some time with.
Lyric Analysis
Lyrically, "Queen Jane Approximately" delves into themes of empathy and human folly, with Dylan calling in the song for Queen Jane to perceive the deceptive nature of those around her, who will abandon her when she no longer meets their standards of success.
Single Release
It was also released as a single in late 1965, though didn't chart in the US. In the UK, it peaked at Number 33.
Live Performances
"Queen Jane Approximately" has been performed by Dylan in concerts and has been widely covered by other artists. The most famous performance is probably the one at the 1966 "Judas" concert in Manchester.
Cover Versions
Some of the popular cover versions of "Queen Jane Approximately" have been recorded by artists like The Grateful Dead and The Four Seasons.
Interpretation by Dylan
Bob Dylan has described "Queen Jane Approximately" as being about someone who is on the verge of a personal revelation, but is surrounded by people waiting to take advantage of their vulnerability.
Song Structure
The song follows the same chord progression as Dylan's earlier hit "Like a Rolling Stone", but "Queen Jane Approximately" has a far slower and gentler groove.
Reception
Over the years, the song has received positive feedback from fans and music critics alike, particularly for Dylan's emotional lyricism and storytelling ability.

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